Batman V Superman review
It was expected to be a classic clash of the titans. Instead, the first big-screen team-up of the Man of Steel with The Dark Knight plumbs the lower depths of the DC comic-books barrel. Overlong and unfocused, director Zack Snyder’s follow-up to his 2013 Superman reboot initially pits the Kryptonian and the caped crusader against each other.
Considered a danger to society after the devastation he unleashed at the end of his previous outing, Superman (Cavill, reprising the role) must contend with the wrath of Batman (Affleck), who’s determined to clip the wings of his titular fellow combatant.
BvS: Dawn of Justice reportedly cost nearly half a billion dollars to make. A large portion of that budget was obviously expended on the overblown CGI effects. Even the long-awaited showdown between the iconic duo plays like a standard-issue smack-bang interlude.
The plot is a load of stuff and nonsense. From the get-go, noisy tedium sets in as the viewer is smothered by an array of one-note characters.
The narrative becomes marginally less confusing with the introduction of a conniving young industrialist (Jesse Eisenberg, in a left-field bit of casting) with a psychotic urge to annihilate mankind
Eventually setting aside their personal differences, Bats and Supes join forces with Wonder Woman, the comics’ long ignored super-heroine (Israeli fashion model-turned-Hollywood star Gal Gadot) to end the villain’s reign of terror.
Frenetic camera movements and chaotic editing patterns contribute to the ridiculous excesses of the action sequences. A car chase involving the armoured Batmobile is reduced to a blur
Moreover, there is a perfunctory dream visit to Superman’s father, whose sole purpose seems to be to showcase a cameo from a legendary old-timer (no, we are not disclosing his name). In the mistaken belief that it would make a difference to the viewing experience, director Snyder appears at the outset to appeal to the audience not to reveal any spoilers.
The film does have one saving grace — Lex Luthor. Jesse Eisenberg’s Luthor is probably the only character who has more than one expression. Ranting about hell and power, Eisenberg’s spasmodic Luthor brings to mind Heath Ledger’s Joker. Coaxing Superman for a death match against Batman, while playing with a kitchen timer, is akin to the insanity Joker shows in The Dark Knight. Eisenberg not only gives a stellar performance, but also reveals his acting range. Having replaced a stalwart like Kevin Spacey as Luthor, Eisenberg holds his own with unparalleled ease.
What could have been the biggest blockbuster of the year has been reduced to another run-of-the-mill film churned out by Hollywood studios. Marvel has nothing to worry about, the DC franchise will need nothing short of a miracle to be as successful.